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Biography
Cecil B. DeMille was a director known around the world. His name above the title was as much a draw as were his stars and he ranks among the many innovative directors of his time. He was one of the few directors who survived the transition from silent to sound films and maintained his popularity throughout his lifetime.

DeMille as a child

He was born on August 12, 1881 in Ashfield, Massachusetts. He was the younger of two sons born to his parents Henry Churchill DeMille and his wife Mathilda Beatrice. Henry taught English at Columbia University, preached sermons from the pulpit and wrote plays. His mother, Mathilda turned their home into a school for girls when her husband died and the tuition paid to send Cecil's brother, William to Columbia University.Cecil was sent to the Pennsylvania Military College. But she is best known for establishing The DeMille Play Company.

Cecil ran away from military college to join the recruits to fight in the Spanish-American War, only to be rejected since he was too young. His mother then enrolled him as a student at the Academy of the Dramatic Arts in New York City after he had shown interest in the theater. While acting, he met his future wife, Constance Adams whom he married on August 16, 1902.

His debut as an actor was on February 21, 1900 in a production of Hearts Art Trumps. Cecil collaborated with his brother William on may plays and while doing so he met Jesse L. Lasky with whom he would have a lifelong relationship. After seeing The Great Train Robbery in 1913, DeMille and Lasky were excited about motion pictures and immediately decided to form the Jesse L. Lasky Feature Play company. Samuel Goldfish (later Goldwyn) also joined them. They purchased the rights for Edwin Milton Royle's play, The Squaw Man. After deciding that shooting on location in Arizona was not appropriate they decided to go west to the end of the railroad line, Los Angeles.

DeMille rented a big old barn at what is now the northeastern corner of Vine and Selma to house their company. Here is where they began the interior shots for The Squaw Man. DeMille was already showing his interest in the epic since The Squaw Man was the first full length length (six reels) film. However, it was not until he made Joan the Woman in 1917 that he realized his true interest in filming the spectacular.

During his first years as Director Producer he was held in high regard by his peers. Among directors, only his name and those of D.W. Griffith and Alfred Hitchcock were really sufficient in themselves to attract top box office trade.

He left Lasky for awhile and even did three films for MGM, but he returned to Paramount (which Lasky has become) where he reigned for many years.

DeMille and his wife Constance raised a large family, a natural daughter and two sons and a daughter who were adopted, John, Richard, and Katherine. Katherine was to act in many of his films.

DeMille had many other interests which included:

 

Founder, 1919 Mercury Aviation Company, one of the first American airlines to carry air freight and passengers commercially on regularly scheduled runs.Vice President and chairman of motion picture loans for commercial National Trust and Savings Banks of Los Angeles, which was purchased by Bank of Italy and later became Bank of America. President, DeMille Foundation for Political Freedom President, Motion Picture Relief Fund Chairman of the Motion Picture Division of the Community Chest of Los Angeles On the Board of Academy of Motion Picture Arts and Sciences and council of Motion Picture Organizations.
Three times president Association of Motion Picture producers.

When sound came, he was ready and able to accept the challenge. His fourth sound film, The Sign of the Cross, was truly the beginning of his sound career and marked the way for all his future films. Most of his films, from then on were historic or biblical epics for which he is best known.

During this period, he was also the producer of the Lux Radio Theater from June 1, 1936 to January 22, 1945. Part of its success was his name recognition. He left over a dispute regarding Proposition Twelve which is explained in my Lux Radio Theater section.

For his whole life he continued planning and producing and was working on a film about the boy scouts when he died. Early in the morning of January 21, 1959, he died at the age of 77. DeMille will be remembered for his historic/biblical epics, but I hope he will also be known for the innovations he provided to the film industry.

See more biographical information about DeMille at:
Internet Movie Database
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Webmaster: Lynn Dougherty
This Cecil B. DeMille site published:
September 1, 2000
Last Update: June27, 2006